Studio collection — Adam Staples

View Lane (2023)

View Lane (2023)

oil on linen, 137cm x 137cm

Hattam Street COLORBOND with a yellow sticker (2023)

Hattam Street COLORBOND with a yellow sticker (2023)

oil on linen , 137cm x 137cm

Private collection

Abel Street (2023)

Abel Street (2023)

oil on linen , 137cm x 137cm

In no particular order, Nos.1-24 (2023)

In no particular order, Nos.1-24 (2023)

Porter’s Original Paint, British Paints & Sammontana recycled cardboard

24cm x 23cm

In no particular order, No.24 (2023)

In no particular order, No.24 (2023)

Porter's Original Paint, British Paints and Sammontana cardboard (24cm x 23cm)

Private collection

In no particular order, No.23 (2023)

In no particular order, No.23 (2023)

Porter's Original Paint, British Paints and Sammontana cardboard (24cm x 23cm)

Private collection

In no particular order, No.19 (2023)

In no particular order, No.19 (2023)

Porter's Original Paint, British Paints and Sammontana cardboard (24cm x 23cm)

Private collection

In no particular order, No.11 (2023)

In no particular order, No.11 (2023)

Porter's Original Paint, British Paints and Sammontana cardboard (24cm x 23cm)

In no particular order, No.8 (2023)

In no particular order, No.8 (2023)

Porter's Original Paint, British Paints and Sammontana cardboard (24cm x 23cm)

In no particular order, No.5 (2023)

In no particular order, No.5 (2023)

Porter's Original Paint, British Paints and Sammontana cardboard (24cm x 23cm)

Private collection

In no particular order, No.2 (2023)

In no particular order, No.2 (2023)

Porter's Original Paint, British Paints and Sammontana cardboard (24cm x 23cm)

In no particular order, No.9 (2023)

In no particular order, No.9 (2023)

Porter's Original Paint, British Paints and Sammontana cardboard (24cm x 23cm)

In no particular order, No.13 (2023)

In no particular order, No.13 (2023)

Porter's Original Paint, British Paints and Sammontana cardboard (24cm x 23cm)

Private collection

In no particular order, No.14 (2023)

In no particular order, No.14 (2023)

Porter's Original Paint, British Paints and Sammontana cardboard (24cm x 23cm)

Private collection

In no particular order, No.20 (2023)

In no particular order, No.20 (2023)

Porter's Original Paint, British Paints and Sammontana cardboard (24cm x 23cm)

In no particular order, No.10 (2023)

In no particular order, No.10 (2023)

Porter's Original Paint, British Paints and Sammontana cardboard (24cm x 23cm)

In no particular order, No.15 (2023)

In no particular order, No.15 (2023)

Porter's Original Paint, British Paints and Sammontana cardboard (24cm x 23cm)

Private collection

In no particular order, No.17 (2023)

In no particular order, No.17 (2023)

Porter's Original Paint, British Paints and Sammontana cardboard (24cm x 23cm)

Private collection

In no particular order, No.6 (2023)

In no particular order, No.6 (2023)

Porter's Original Paint, British Paints and Sammontana cardboard (24cm x 23cm)

In no particular order, No.3 (2023)

In no particular order, No.3 (2023)

Porter's Original Paint, British Paints and Sammontana cardboard (24cm x 23cm)

In no particular order, No.18 (2023)

In no particular order, No.18 (2023)

Porter's Original Paint, British Paints and Sammontana cardboard (24cm x 23cm)

Private collection

In no particular order, No.1 (2023)

In no particular order, No.1 (2023)

Porter's Original Paint, British Paints and Sammontana cardboard (24cm x 23cm)

In no particular order, No.26 (2023)

In no particular order, No.26 (2023)

Porter's Original Paint, British Paints and Sammontana cardboard (24cm x 23cm)

Private collection

In no particular order, No.25 (2023)

In no particular order, No.25 (2023)

Porter's Original Paint, British Paints and Sammontana cardboard (24cm x 23cm)

In no particular order, No.4 (2023)

In no particular order, No.4 (2023)

Porter's Original Paint, British Paints and Sammontana cardboard (24cm x 23cm)

Private collection

In no particular order, No.22 (2023)

In no particular order, No.22 (2023)

Porter's Original Paint, British Paints and Sammontana cardboard (24cm x 23cm)

Private collection

In no particular order, No.7 (2023)

In no particular order, No.7 (2023)

Porter's Original Paint, British Paints and Sammontana cardboard (24cm x 23cm)

In no particular order, No.12 (2023)

In no particular order, No.12 (2023)

Porter's Original Paint, British Paints and Sammontana cardboard (24cm x 23cm)

Private collection

Oke Street, Ouyen (2023)

Oke Street, Ouyen (2023)

oil on board , 50cm x 50cm

High Street, Bendigo (2023)

High Street, Bendigo (2023)

oil on board , 50cm x 50cm

Keck Street, Bendigo (2023)

Keck Street, Bendigo (2023)

oil on board, 50cm x 50cm

Private collection

42-44 Hattam Street, Bendigo (2023)

42-44 Hattam Street, Bendigo (2023)

oil on board, 50cm x 50cm

Deborah Street, Bendigo (2023)

Deborah Street, Bendigo (2023)

oil on board, 50cm x 50cm

Private collection

Sternberg Street, Bendigo (2023)

Sternberg Street, Bendigo (2023)

oil on board, 50cm x 50cm

Barker Street, Castlemaine (2023)

Barker Street, Castlemaine (2023)

oil on board, 50cm x 50cm

Points of entry [concept weave III] (2023)

Points of entry [concept weave III] (2023)

Jute & cotton

15cm x 15cm

Private collection

Points of entry [concept weave II] (2023)

Points of entry [concept weave II] (2023)

Jute and cotton

15cm x 15cm

Private collection

Points of entry [concept weave I] (2023)

Points of entry [concept weave I] (2023)

Jute & cotton

15cm x 15cm

Private collection

Geometric study II (2023)

Geometric study II (2023)

Jute & cotton

Private collection

Geometric study I (2023)

Geometric study I (2023)

Jute & cotton

Private collection

Lines I (2022)

Lines I (2022)

Charcoal on Somerset

Lines II (2022)

Lines II (2022)

Charcoal on Somerset

Lines III (2022)

Lines III (2022)

Charcoal on Somerset

Lines IV (2022)

Lines IV (2022)

Charcoal on Somerset

Detail of Hattam St III (2002)

Detail of Hattam St III (2002)

Jute, wool & cotton

Hattam St III (2022)

Hattam St III (2022)

Jute, wool & cotton

Hattam St II (2022)

Hattam St II (2022)

Jute, wool & cotton

Hattam St I (2022)

Hattam St I (2022)

Jute, wool & cotton

Hot I (2022)

Hot I (2022)

Jute, plastic, paper, wool & cotton

Hot II (2022)

Hot II (2022)

Jute, plastic, paper, wool & cotton

Hot I & Hot II (2022)

Hot I & Hot II (2022)

Jute, plastic, paper, wool & cotton

SOARI weave I (2022)

SOARI weave I (2022)

Cotton, plastic & wool

SOARI weave II (2022)

SOARI weave II (2022)

Cotton, plastic & wool

SOARI weave I & II (2022)

SOARI weave I & II (2022)

Cotton, plastic & wool

Collage XII (2022)

Collage XII (2022)

Household paint, paper & paste

Collage X (2022)

Collage X (2022)

Household paint, paper & paste

Collage IX (2022)

Collage IX (2022)

Household paint, paper & paste

Collage VIII (2022)

Collage VIII (2022)

Household paint, paper & paste

Private collection

Collage VII (2022)

Collage VII (2022)

Household paint, paper & paste

Collage VI (2022)

Collage VI (2022)

Household paint, paper & paste

Private collection

Collage V (2022)

Collage V (2022)

Household paint, paper & paste

Private collection

Collage IV (2022)

Collage IV (2022)

Household paint, paper & paste

Collage III (2022)

Collage III (2022)

Household paint, paper & paste

Private collection

Collage II (2022)

Collage II (2022)

Household paint, paper & paste

Private collection

Collage I (2022)

Collage I (2022)

Household paint, paper & paste

Private collection

British Paint VI (2022)

British Paint VI (2022)

Household paint on board (30cm x 30cm)

Private Collection

British Paint V (2022)

British Paint V (2022)

Household paint on board (30cm x 30cm)

Private collection

British Paint IV (2022)

British Paint IV (2022)

Household paint on board (30cm x 30cm)

British Paint III (2021)

British Paint III (2021)

Household paint on board (30cm x 30cm)

British Paint II 2021

British Paint II 2021

Household paint on board (30cm x 30cm)

British Paint I (2019)

British Paint I (2019)

Household paint on board (30cm x 30cm)

Tramlines (2018)

Tramlines (2018)

Household paint on board (19.5cm x 24.5cm)

Private collection

Barringtonia asiatica (2018)

Barringtonia asiatica (2018)

Oil on canvas

Langoustine with figs (2016)

Langoustine with figs (2016)

Oil on canvas

Marron with figs (2016)

Marron with figs (2016)

Oil on canvas

Install 1 (Juncture(s), 2022)

Install 1 (Juncture(s), 2022)

Install 2 (Juncture(s), 2022)

Install 2 (Juncture(s), 2022)

Install 3 (Juncture(s), 2022)

Install 3 (Juncture(s), 2022)

Install 4 (Juncture(s), 2022)

Install 4 (Juncture(s), 2022)

Install 5 (Juncture(s), 2022)

Install 5 (Juncture(s), 2022)

Install 6 (Juncture(s), 2022)

Install 6 (Juncture(s), 2022)

Install 7 (Juncture(s), 2022)

Install 7 (Juncture(s), 2022)

Install 8 (Juncture(s), 2022)

Install 8 (Juncture(s), 2022)

Mackerel with figs (2016)

Mackerel with figs (2016)

Oil on canvas

Private collection

Mangosteen (2019)

Mangosteen (2019)

Charcoal on paper

Barringtonia asiatica (2019)

Barringtonia asiatica (2019)

Charcoal on paper

Sea sponge (2018)

Sea sponge (2018)

Charcoal on paper

Figs (2018)

Figs (2018)

Charcoal on paper

Kelp anchor (2018)

Kelp anchor (2018)

Charcoal on paper

Three fish

Three fish

Charcoal on paper

[Private collection of A. McDonough]

Sea urchin

Sea urchin

Pen on paper

Garfish

Garfish

Charcoal on paper

[Private collection of A. McDonough]

Study of langoustine with figs

Study of langoustine with figs

Charcoal on paper photocopied

Blue swimmer crab

Blue swimmer crab

Charcoal on paper

Langoustine

Langoustine

Charcoal on paper

Marron (2015)

Marron (2015)

Charcoal & photocopy

Life study (2018)

Life study (2018)

Ink on paper

Points of entry: before & beyond is a research-based exhibition of works in which the concept of the entry point is examined. This body of work revisits the related motif of the juncture, or the coming together of disparate lines and horizons,

Points of entry: before & beyond is a research-based exhibition of works in which the concept of the entry point is examined. This body of work revisits the related motif of the juncture, or the coming together of disparate lines and horizons, and makes material the artist’s perspectives about what happens just before and beyond the point at which these lines and horizons converge.

Adam Staples is an artist-academic living and practising on Dja Dja Wurrung country. Adam's recent practice focuses on mapping and describing the impact of rapid homogenisation on place and memory as a consequence of anthropogenic interference. Adam interweaves his contemporary encounters of place, both natural and manmade, with memories drawn from formative years spent living in disparate countries such as Libya, Zimbabwe, the UK and Australia.

This exhibition is part of the Artist on View initiative by Bendigo Venues & Events & is supported by the 150th Anniversary of Tertiary education in Bendigo.

Juncture(s)

Juncture(s)

A solo show of drawings, paintings & weaves

Bendigo Open Studios 2022

Bendigo Open Studios 2022

Still life (2019)

Still life (2019)

Oil on paper

Adam Staples

Adam Staples

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112

View Lane (2023)

Hattam Street COLORBOND with a yellow sticker (2023)

Abel Street (2023)

In no particular order, Nos.1-24 (2023)

In no particular order, No.24 (2023)

In no particular order, No.23 (2023)

In no particular order, No.19 (2023)

In no particular order, No.11 (2023)

In no particular order, No.8 (2023)

In no particular order, No.5 (2023)

In no particular order, No.2 (2023)

In no particular order, No.9 (2023)

In no particular order, No.13 (2023)

In no particular order, No.14 (2023)

In no particular order, No.20 (2023)

In no particular order, No.10 (2023)

In no particular order, No.15 (2023)

In no particular order, No.17 (2023)

In no particular order, No.6 (2023)

In no particular order, No.3 (2023)

In no particular order, No.18 (2023)

In no particular order, No.1 (2023)

In no particular order, No.26 (2023)

In no particular order, No.25 (2023)

In no particular order, No.4 (2023)

In no particular order, No.22 (2023)

In no particular order, No.7 (2023)

In no particular order, No.12 (2023)

Oke Street, Ouyen (2023)

High Street, Bendigo (2023)

Keck Street, Bendigo (2023)

42-44 Hattam Street, Bendigo (2023)

Deborah Street, Bendigo (2023)

Sternberg Street, Bendigo (2023)

Barker Street, Castlemaine (2023)

Points of entry [concept weave III] (2023)

Points of entry [concept weave II] (2023)

Points of entry [concept weave I] (2023)

Geometric study II (2023)

Geometric study I (2023)

Lines II (2022)

Lines III (2022)

Lines IV (2022)

Detail of Hattam St III (2002)

Hattam St III (2022)

Hattam St II (2022)

Hattam St I (2022)

Hot I & Hot II (2022)

SOARI weave I (2022)

SOARI weave II (2022)

SOARI weave I & II (2022)

Collage XII (2022)

Collage X (2022)

Collage IX (2022)

Collage VIII (2022)

Collage VII (2022)

Collage VI (2022)

Collage V (2022)

Collage IV (2022)

Collage III (2022)

Collage II (2022)

Collage I (2022)

British Paint VI (2022)

British Paint V (2022)

British Paint IV (2022)

British Paint III (2021)

British Paint II 2021

British Paint I (2019)

Tramlines (2018)

Barringtonia asiatica (2018)

Langoustine with figs (2016)

Marron with figs (2016)

Install 1 (Juncture(s), 2022)

Install 2 (Juncture(s), 2022)

Install 3 (Juncture(s), 2022)

Install 4 (Juncture(s), 2022)

Install 5 (Juncture(s), 2022)

Install 6 (Juncture(s), 2022)

Install 7 (Juncture(s), 2022)

Install 8 (Juncture(s), 2022)

Mackerel with figs (2016)

Mangosteen (2019)

Barringtonia asiatica (2019)

Sea sponge (2018)

Kelp anchor (2018)

Study of langoustine with figs

Blue swimmer crab

Life study (2018)

Points of entry: before & beyond is a research-based exhibition of works in which the concept of the entry point is examined. This body of work revisits the related motif of the juncture, or the coming together of disparate lines and horizons,

Bendigo Open Studios 2022

Still life (2019)